C2C3C4C5C6C7C8C9C10C11C12C13C14C15C17C18C16Part I Copyright
Pt. 1 extended (with modifications) by S.I. 1989/1293, arts. 2(3), 3, 4, 5, Sch. 4 (with art. 6) (which S.I. was revoked by S.I.1993/942, art. 8, Sch. 5)
Pt. 1 extended (with modifications) by S.I. 1993/942, arts. 2(3), 4, 5, Sch. 4 (with art. 6) (as amended by S.I.1994/263, art. 2 and S.I. 1995/2987, art. 3) (which S.I. and amending S.Is. were revoked by S.I. 1999/1751, art. 8, Sch. 6)
Pt. 1 extended (with modifications) (22.7.1999) by S.I. 1999/1751, arts. 2(3), 3, 4(3)(5), 5, 7, Schs. 2, 4, 5 (as amended (22.4.2003) by S.I. 2003/774, arts. 2-5) (which S.I. and amending S.I. were revoked (1.5.2005) by S.I. 2005/852, art. 8)
Pt. 1 extended in part (with modifications) (coming into force in accordance with art. 1 of the amending S.I.) by The Copyright (Bermuda) Order 2003 (S.I. 2003/1517), art. 2, Sch. (which S.I. was revoked (12.11.2009) by S.I. 2009/2749, arts. 1, 2)
Pt. 1 modified (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg. 37(2) (with regs. 31-40)
Pt. 1 extended (with modifications) (1.5.2005) by The Copyright and Performances (Application to Other Countries) Order 2005 (S.I. 2005/852), arts. 2-5, Sch. (with art. 7) (which S.I. was revoked (6.4.2006) by S.I. 2006/316, art. 1(3))
Pt. 1 extended in part (with modifications) (coming into force in accordance with art. 1 of the amending S.I.) by The Copyright (Gibraltar) Order 2005 (S.I. 2005/853), art. 2, Sch. (which S.I. is revoked (coming into force in accordance with art. 1 of the amending S.I.) by S.I. 2006/1039, arts. 1, 2)
Pt. 1 extended (with modifications) (6.4.2006) by The Copyright and Performances (Application to Other Countries) Order 2006 (S.I. 2006/316), arts. 2-5, Sch. (with art. 7) (which S.I. was revoked (6.4.2007) by S.I. 2007/273, art. 1(3))
Pt. 1 extended (with modifications) (6.4.2007) by The Copyright and Performances (Application to Other Countries) Order 2007 (S.I. 2007/273), arts. 2-5, Sch. (with art. 7) (which S.I. was revoked (6.4.2008) by S.I. 2008/677, art. 1(3))
Pt. 1 extended (with modifications) (6.4.2008) by The Copyright and Performances (Application to Other Countries) Order 2008 (S.I. 2008/677), arts. 2-5, Sch. (with art. 7) (which S.I. was revoked (6.4.2012) by S.I. 2012/799, art. 1(3))
Pt. 1 extended (with modifications) (6.4.2012) by The Copyright and Performances (Application to Other Countries) Order 2012 (S.I. 2012/799), arts. 1(1), arts. 2-5, Schs. (with art. 8) (which S.I. was revoked (6.4.2013) by S.I. 2013/536), art. 1(3))
Pt. 1 extended in part (with modifications) (6.4.2013) by The Copyright and Performances (Application to Other Countries) Order 2013 (S.I. 2013/536), arts. 1(1), 2, 4, 5, Sch. (with art. 8) (as amended (6.4.2015) by S.I. 2015/216, art. 2) (which S.I. and amending S.I. were revoked (6.4.2017) by S.I. 2016/1219, art. 1(3))
Pt. 1 extended in part (Cayman Islands) (with modifications) (coming into force in accordance with art. 1 of the amending Order) by The Copyright (Cayman Islands) Order 2015 (S.I. 2015/795), arts. 1, 2, Sch. (as amended by (S.I. 2016/370, arts. 1, 2-40)
Pt. 1 restricted (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 2, 3, 6 (with art. 13) (as amended (coming into force in accordance with art. 1(2) of the amending S.I.) by S.I. 2024/193, arts. 1(2), 3, 4, 5)
Pt. 1 extended (with modifications) (6.4.2017) by The Copyright and Performances (Application to Other Countries) Order 2016 (S.I. 2016/1219), arts. 1(1), 4, 5, 7, 8, Sch. Pt. 1 (with art. 13) (as amended: (26.6.2021) by S.I. 2021/636, arts. 1, 2(2); (1.12.2021) by S.I. 2021/1258, arts. 1, 2(2); (15.4.2023) by S.I. 2023/296, arts. 1, 2(2); and (coming into force in accordance with art. 1(2) of the amending S.I.) by S.I. 2024/193, arts. 1(2), 5)
Pt. 1: power to extend conferred (27.4.2017) by Digital Economy Act 2017 (c. 30), ss. 118(1), 119(7)(8)(a)
C1 Chapter II Rights of Copyright Owner
Pt. 1 Ch. II applied (with modifications) (1.12.1996) by S.I. 1996/2967, reg. 17(1) (with Pt. III)
The acts restricted by copyright
16 The acts restricted by copyright in a work.
1
The owner of the copyright in a work has, in accordance with the following provisions of this Chapter, the exclusive right to do the following acts in the United Kingdom—
a
to copy the work (see section 17);
b
to issue copies of the work to the public (see section 18);
F1ba
to rent or lend the work to the public (see section 18A);
c
to perform, show or play the work in public (see section 19);
F2d
to communicate the work to the public (see section 20);
e
to make an adaptation of the work or do any of the above in relation to an adaptation (see section 21);
and those acts are referred to in this Part as the “acts restricted by the copyright”.
2
Copyright in a work is infringed by a person who without the licence of the copyright owner does, or authorises another to do, any of the acts restricted by the copyright.
3
References in this Part to the doing of an act restricted by the copyright in a work are to the doing of it—
a
in relation to the work as a whole or any substantial part of it, and
b
either directly or indirectly;
and it is immaterial whether any intervening acts themselves infringe copyright.
4
This Chapter has effect subject to—
a
the provisions of Chapter III (acts permitted in relation to copyright works), and
b
the provisions of Chapter VII (provisions with respect to copyright licensing).
17 Infringement of copyright by copying.
1
The copying of the work is an act restricted by the copyright in every description of copyright work; and references in this Part to copying and copies shall be construed as follows.
2
Copying in relation to a literary, dramatic, musical or artistic work means reproducing the work in any material form.
This includes storing the work in any medium by electronic means.
3
In relation to an artistic work copying includes the making of a copy in three dimensions of a two-dimensional work and the making of a copy in two dimensions of a three-dimensional work.
4
5
Copying in relation to the typographical arrangement of a published edition means making a facsimile copy of the arrangement.
6
Copying in relation to any description of work includes the making of copies which are transient or are incidental to some other use of the work.
18 Infringement by issue of copies to the public.
1
The issue to the public of copies of the work is an act restricted by the copyright in every description of copyright work.
F4F262
References in this Part to the issue to the public of copies of a work are to the act of putting into circulation in the United Kingdom copies not previously put into circulation in F30the United Kingdom or the EEA by or with the consent of the copyright owner.
3
References in this Part to the issue to the public of copies of a work do not include—
a
any subsequent distribution, sale, hiring or loan of copies previously put into circulation (but see section 18A: infringement by rental or lending) F28...
F29b
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
F27...
F54
References in this Part to the issue of copies of a work include the issue of the original.
18AF6 Infringement by rental or lending of work to the public.
1
The rental or lending of copies of the work to the public is an act restricted by the copyright in—
a
a literary, dramatic or musical work,
b
an artistic work, other than—
i
a work of architecture in the form of a building or a model for a building, or
ii
a work of applied art, or
c
a film or a sound recording.
2
In this Part, subject to the following provisions of this section—
a
“rental” means making a copy of the work available for use, on terms that it will or may be returned, for direct or indirect economic or commercial advantage, and
b
“lending” means making a copy of the work available for use, on terms that it will or may be returned, otherwise than for direct or indirect economic or commercial advantage, through an establishment which is accessible to the public.
3
The expressions “rental” and “lending” do not include—
a
making available for the purpose of public performance, playing or showing in public F7or communication to the public;
b
making available for the purpose of exhibition in public; or
c
making available for on-the-spot reference use.
4
The expression “lending” does not include making available between establishments which are accessible to the public.
5
Where lending by an establishment accessible to the public gives rise to a payment the amount of which does not go beyond what is necessary to cover the operating costs of the establishment, there is no direct or indirect economic or commercial advantage for the purposes of this section.
6
References in this Part to the rental or lending of copies of a work include the rental or lending of the original.
19 Infringement by performance, showing or playing of work in public.
1
The performance of the work in public is an act restricted by the copyright in a literary, dramatic or musical work.
2
In this Part “performance”, in relation to a work—
a
includes delivery in the case of lectures, addresses, speeches and sermons, and
b
in general, includes any mode of visual or acoustic presentation, including presentation by means of a sound recording, film F8or broadcast of the work.
3
The playing or showing of the work in public is an act restricted by the copyright in a sound recording, film F8or broadcast.
4
Where copyright in a work is infringed by its being performed, played or shown in public by means of apparatus for receiving visual images or sounds conveyed by electronic means, the person by whom the visual images or sounds are sent, and in the case of a performance the performers, shall not be regarded as responsible for the infringement.
F920Infringement by communication to the public
1
The communication to the public of the work is an act restricted by the copyright in—
a
a literary, dramatic, musical or artistic work,
b
a sound recording or film, or
c
a broadcast.
2
References in this Part to communication to the public are to communication to the public by electronic transmission, and in relation to a work include—
a
the broadcasting of the work;
b
the making available to the public of the work by electronic transmission in such a way that members of the public may access it from a place and at a time individually chosen by them.
21 Infringement by making adaptation or act done in relation to adaptation.
1
The making of an adaptation of the work is an act restricted by the copyright in a literary, dramatic or musical work.
For this purpose an adaptation is made when it is recorded, in writing or otherwise.
2
The doing of any of the acts specified in sections 17 to 20, or subsection (1) above, in relation to an adaptation of the work is also an act restricted by the copyright in a literary, dramatic or musical work.
For this purpose it is immaterial whether the adaptation has been recorded, in writing or otherwise, at the time the act is done.
3
In this Part “adaptation”—
a
in relation to a literary F10work, F11other than a computer program or a database, or in relation to a dramatic work, means—
i
a translation of the work;
ii
a version of a dramatic work in which it is converted into a non-dramatic work or, as the case may be, of a non-dramatic work in which it is converted into a dramatic work;
iii
a version of the work in which the story or action is conveyed wholly or mainly by means of pictures in a form suitable for reproduction in a book, or in a newspaper, magazine or similar periodical;
F12ab
in relation to a computer program, means an arrangement or altered version of the program or a translation of it;
F13ac
in relation to a database, means an arrangement or altered version of the database or a translation of it;
b
in relation to a musical work, means an arrangement or transcription of the work.
4
In relation to a computer program a “translation” includes a version of the program in which it is converted into or out of a computer language or code or into a different computer language or code F14. . .
5
No inference shall be drawn from this section as to what does or does not amount to copying a work.
Secondary infringement of copyright
22 Secondary infringement: importing infringing copy.
The copyright in a work is infringed by a person who, without the licence of the copyright owner, imports into the United Kingdom, otherwise than for his private and domestic use, an article which is, and which he knows or has reason to believe is, an infringing copy of the work.
23 Secondary infringement: possessing or dealing with infringing copy.
The copyright in a work is infringed by a person who, without the licence of the copyright owner—
a
possesses in the course of a business,
b
sells or lets for hire, or offers or exposes for sale or hire,
c
in the course of a business exhibits in public or distributes, or
d
distributes otherwise than in the course of a business to such an extent as to affect prejudicially the owner of the copyright,
an article which is, and which he knows or has reason to believe is, an infringing copy of the work.
24 Secondary infringement: providing means for making infringing copies.
1
Copyright in a work is infringed by a person who, without the licence of the copyright owner—
a
makes,
b
imports into the United Kingdom,
c
possesses in the course of a business, or
d
sells or lets for hire, or offers or exposes for sale or hire,
an article specifically designed or adapted for making copies of that work, knowing or having reason to believe that it is to be used to make infringing copies.
2
Copyright in a work is infringed by a person who without the licence of the copyright owner transmits the work by means of a telecommunications system (otherwise than by F15communication to the public), knowing or having reason to believe that infringing copies of the work will be made by means of the reception of the transmission in the United Kingdom or elsewhere.
25 Secondary infringement: permitting use of premises for infringing performance.
1
Where the copyright in a literary, dramatic or musical work is infringed by a performance at a place of public entertainment, any person who gave permission for that place to be used for the performance is also liable for the infringement unless when he gave permission he believed on reasonable grounds that the performance would not infringe copyright.
2
In this section “place of public entertainment” includes premises which are occupied mainly for other purposes but are from time to time made available for hire for the purposes of public entertainment.
26 Secondary infringement: provision of apparatus for infringing performance, &c.
1
Where copyright in a work is infringed by a public performance of the work, or by the playing or showing of the work in public, by means of apparatus for—
a
playing sound recordings,
b
showing films, or
c
receiving visual images or sounds conveyed by electronic means,
the following persons are also liable for the infringement.
2
A person who supplied the apparatus, or any substantial part of it, is liable for the infringement if when he supplied the apparatus or part—
a
he knew or had reason to believe that the apparatus was likely to be so used as to infringe copyright, or
b
in the case of apparatus whose normal use involves a public performance, playing or showing, he did not believe on reasonable grounds that it would not be so used as to infringe copyright.
3
An occupier of premises who gave permission for the apparatus to be brought onto the premises is liable for the infringement if when he gave permission he knew or had reason to believe that the apparatus was likely to be so used as to infringe copyright.
4
A person who supplied a copy of a sound recording or film used to infringe copyright is liable for the infringement if when he supplied it he knew or had reason to believe that what he supplied, or a copy made directly or indirectly from it, was likely to be so used as to infringe copyright.
Infringing copies
27 Meaning of “infringing copy”.
1
In this Part “infringing copy”, in relation to a copyright work, shall be construed in accordance with this section.
2
An article is an infringing copy if its making constituted an infringement of the copyright in the work in question.
3
F16... An article is also an infringing copy if—
a
it has been or is proposed to be imported into the United Kingdom, and
b
its making in the United Kingdom would have constituted an infringement of the copyright in the work in question, or a breach of an exclusive licence agreement relating to that work.
F173A
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4
Where in any proceedings the question arises whether an article is an infringing copy and it is shown—
a
that the article is a copy of the work, and
b
that copyright subsists in the work or has subsisted at any time,
it shall be presumed until the contrary is proved that the article was made at a time when copyright subsisted in the work.
5
Nothing in subsection (3) shall be construed as applying to an article which—
F31a
may lawfully be imported into the United Kingdom by virtue of anything which forms part of assimilated law as a result of section 3 of the European Union (Withdrawal) Act 2018, or
b
has been or is proposed to be imported into the United Kingdom after being put into circulation in the EEA by or with the consent of the copyright owner.
F325A
In subsection (5)(a), the reference to assimilated law is to be read, until the coming into force of paragraph 2(6) of Schedule 2 to the Retained EU Law (Revocation and Reform) Act 2023, as a reference to retained EU law.
6
In this Part “infringing copy” includes a copy falling to be treated as an infringing copy by virtue of any of the following provisions —
F24section 29A(3) (copies for text and data analysis for non-commercial research),
F25section 28B(7) and (9) (personal copies for private use),
F22section 31A(5) and (6) (disabled persons: copies of works for personal use),
F21section 31B(11) (making and supply of accessible copies by authorised bodies),
F24section 35(5) (recording by educational establishments of broadcasts),
F24section 36(8) (copying and use of extracts of works by educational establishments),
F24section 42A(5)(b) (copying by librarians: single copies of published works),
F24section 61(6)(b) (recordings of folksongs),
F20...
F23...
F23...
F23...
F23...
section 56(2) (further copies, adaptations, &c. of work in electronic form retained on transfer of principal copy),
section 63(2) (copies made for purpose of advertising artistic work for sale),
section 68(4) (copies made for purpose of broadcast F18 . . . ),
F19section 70(2) (recording for the purposes of time-shifting),
section 71(2) (photographs of broadcasts), or
any provision of an order under section 141 (statutory licence for certain reprographic copying by educational establishments).
Pt. 1 extended (with modifications) by S.I. 1989/988, art. 2(3), 4, 5, Sch. 4 (with art. 6) (which S.I. was revoked by S.I. 1989/1293, Sch. 5)